Creating a photograph requires only the single act of
pushing the button that triggers the shutter, which is a
moving curtain that lets light fall on the digital sensor for
a set length of time. Everything else is preparation and
internal mechanics. Photography, in other words, can be
99 percent anticipation and 1 percent action. The parallel
between a photographer and a hunter, in which the trigger
pull is analogous to the push of the shutter button, is obvious.
Both shoot. But a hunter sends out a missile; a photographer
draws in reflected light. He or she must make an
artistic calculation beyond simple aim. Modern digital SLRs,
increasingly user-friendly, allow photographers to concentrate
more on that aesthetic than on mechanics.
1. Framing the Picture
■ Light enters the lens.
■ Light bounces off reflex mirror and
through pentaprism to viewfinder.
■ Photographer sees what the camera sees
through the viewfinder.
2. Taking the Picture
■ Photographer depresses button.
■ Reflex mirror rises.
■ Shutter opens at designated
shutter speed.
■ Aperture opens to designated measure.
■ Light travels straight to sensors.
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